Various - Flamenco Pop (Vinyl, LP)

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Avoid dusty attics and humid basements. Don't store them next to a fireplace, a radiator, a sunny window. Stack them vertically, not too tight and never Various - Flamenco Pop (Vinyl them flat. The weight would make dirt become encrusted and records could warp over time.

Manipulate your vinyl records with clean and dry hands, avoid touching the playing surface. Use both hands. Clean your records with a carbon fibre brush after play to remove all dust residues and put the records back in their covers straight away. Renew the inside sleeves from time to time, old ones are dusty and mould can appear. How to put a vinyl record for sale with CDandLP Now that you know how to identify, grade and evaluate the price of your records, you are ready to put your vinyl records for sale Use the ''sell'' button to list quickly and for FREE.

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Resist the temptation to increase your prices. Make your shop appealing: introduce yourself and your passion, showcase your real treasures. Update your inventory on a regular basis especially if you sell on other platforms. Add new items as often as possible: we automatically inform your following customers. Give as much information as you Various - Flamenco Pop (Vinyl about your items: label, pressing, tracklisting Share with your buyers: answer their questions with courtesy.

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Old School Pride - Last One Standing (2) - Last One Standing (Cassette)

On the night before the 15 January deadline set by Island Records to complete the record, the band and the crew completed mixing. The band told her to put "Where the Streets Have No Name" first and "Mothers of the Disappeared" last, with the rest sequenced according to her preference.

It wasn't happening for The Joshua Tree and she came in and she organized it and it worked as an old-fashioned album: a beginning, middle and end. In the morning, Meegan and Lillywhite flew with the album's tapes to Island's offices in HammersmithLondon.

Following the completion of the album proper, U2 returned to the studio with Meegan and McCarthy to complete the new material they had shelved in October. The track was re-recorded as a single for the group's compilation The Best of — After completing The Joshua TreeBono said that he was "as pleased with the record as I can ever be pleased with a record", calling The Old School Pride - Last One Standing (2) - Last One Standing (Cassette) Tree their most complete album since their debut.

U2 is credited with composing all of The Joshua Tree ' s music. The Edge's guitar playing on The Joshua Tree is characteristic of what came to be his trademark sound. His minimalist style sharply contrasted with the emphasis placed on virtuosity and speed by heavy metal in the s.

The Edge views musical notes as "expensive", preferring to play as few of them as possible and to instead focus on simpler parts that serve the moods of the songs. The Edge continued to employ the ambient techniques of guitar playing that he used on The Unforgettable Fire ; for "With or Without You", he used a prototype of the Infinite Guitar to add layers of sustained notes, an approach he first took on his solo album, the Captive soundtrack.

Much like on past records, Bono exhibits an expressive, open-throated vocal delivery, [59] which many critics described as "passionate". Bono is credited as the album's sole lyricist. Anger is directed particularly at the perceived greed of the Ronald Reagan administration and its foreign policy in Central America. As such, the desert, rain, dust, and water appear as lyrical motifs throughout the record. Most people would take the desert on face value and think it's some kind of barren place, which of course is true.

But in the right frame of mind, it's also a very positive image, because you can actually do something with blank canvas, which is effectively what the desert is. So having fallen in love with America over the years that we've been there on tour, I then had to 'deal with' America and the way it was affecting me, because America's having such an effect on the world at the moment.

On this record I had to deal with it on a political level for the first time, if in a subtle way. Political and social concerns were the basis for several tracks. Bono wrote the lyrics for "Bullet the Blue Sky" after visiting El Salvador during the Salvadoran Civil War and witnessing how the conflict between rebels and the US-backed government affected local civilians.

The story of a heroin -addicted couple was the basis for "Running to Stand Still", which Bono set in the Ballymun Flats residential towers in Dublin near which he Old School Pride - Last One Standing (2) - Last One Standing (Cassette) raised. Bono described as "an incredibly bad year" for him, [14] which was reflected in the lyrics. His marriage was under strain, in part due to the album's long gestation period, the band were criticised by the Irish media for their involvement in Self Aid, and his personal assistant Greg Carroll was killed in a motorcycle accident.

That year was really a desert for us. The group's religious faith was a source of inspiration for many lyrics. Designed by Steve Averill[51] the album sleeve was based on U2's request to depict the record's "imagery, and cinematic location" in the desert. Over several days in December[35] [81] U2 travelled with Corbijn and Averill on a bus around the Mojave Desert for a photo shoot.

This led to him focusing on the background and leaving the band slightly out of focus. Corbijn said, "Fortunately there was a lot of light. The photo shoots took place in the mornings and evenings, with mid-days spent travelling and on preparation. On the evening after the first day's shooting, Corbijn told the band about Joshua trees Yucca brevifoliahardy and twisted plants in the deserts of the American Southwestand he suggested their use on the sleeve.

Bono explained, "it was freezing and we had to take our coats off so it would at least look like a desert. That's one of the reasons we look so grim. It was definitely the most serious, I think, that you can photograph a band.

You couldn't go any further down that line unless you start photographing graves. For the vinyl record release, Corbijn originally wanted to have a shot of the Joshua tree on the front of the sleeve, with U2 in a continuation of the photograph on the back. The centre gatefold showed an image of U2 with the Joshua tree in the middle; a mirror used by them to check their appearance was mistakenly left in frame.

Since the compact disc was a relatively new format at the time, the creative team decided to experiment with the album cover, selecting different cover images for each format on which the album was released; the original compact disc release used a blurry, distorted photo of the band, while the cassette used a clear, but alternate photo.

Later CD reissues used the LP photo. The tree photographed for the sleeve fell around[90] yet the site remains a popular tourist attraction for U2 fans. Just prior to the release of The Joshua TreeBono was stricken with a sudden panic about the quality of the completed album. He said that he contemplated calling the production plants to order a halt of the record's pressing, but he ultimately held off.

The Joshua Tree debuted on the UK Albums Chart on 21 March at number one withcopies sold in its opening week, making it the fastest-selling album in UK history to that point. This edition rectified the incorrect track splitting between "One Tree Hill" and "Exit" that affected some CD releases; the quiet coda that concludes "One Tree Hill" had previously been included in the same track as "Exit". Following its 30th anniversary reissue, The Joshua Tree re-entered the Billboard chart the week of 8 Juneclimbing to number 16—its highest position on the chart since 13 February That week, it shifted 27, album-equivalent units23, of which were sales, making it the album's highest-selling week in the US since 3 January The Joshua Tree received critical acclaim, and the best reviews of U2's career to that point.

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Missguided - Get the latest fashion. Lookfantastic - Discount codes. The sold-out show at the Arcada Theatre in St. They sang along with Dick Biondi and have continued to perform at the cathedral's Christmas Eve Mass since then. A total of four Christmas songs were recorded by them and appeared on the Sharing Christmas album; copies were sold to raise funds for Holy Name Cathedral's Thursday Night Suppers. Ray Herr born Raymond J. Herr, Jr. John Larson born on November 6,in Elgin, Illinois died on September 21,in Warsaw, Indianafrom cancer at the age of In the Ides celebrated the 50th anniversary of the band.

The original four members — Bergland, Borch, Millas and Peterik — are still playing together after Peterik's hiatus to form Survivor. They have released a 50th anniversary career retrospective box set and a DVD called "Last Band Standing," and continue to write and record new music.

At their anniversary concert on September 27,they received a citation from the State of Illinois honoring their achievement as well as their charity work the band established a scholarship fund at their alma mater, Morton West High School in Berwyn, IL. As ofthe band continues to tour, both by themselves and as part of the "Cornerstones Of Rock" series where they act as the house band for a variety of '60s-era Chicago-area bands.

With well over 4, gigs together sinceand being a musical organization that has always included the original four members, The Ides Of March have been called "The Longest Touring Original Band In Musical History".

From Wikipedia, the free encyclopedia. American rock band. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. With this version included, Darkness becomes a completely different album. An evocative, solid rave-up. Not all homecoming songs are about triumph.

His vocals are laid bare, nothing buried in the tune, his voice on the edge of anguish. It sounds ancient, as if it has always existed.

It sounds like it was written decades ago. It is a more immediately recognizable Springsteen song while still being sonically fresh, even if what Bruce is doing here is his best Jimmy Webb interpretation which is not a bad thing!

The song has an infectious backbeat, and Bruce relishes the challenge of singing with another strong vocalist. A delightful classic rockabilly romp from end to end. Springsteen shouts and screams and testifies with great driving percussion behind him, as guitars play in keys matching the organ.

Underrated and overlooked. The keyboards and fingerpicking are so deep and buried, you feel them more than you hear them. Bruce realizing his Brian Wilson fantasies and cribbing from Jagger and Richards in tribute.

Rose of Lima. The house is gone, but the tree still stands. Bruce Springsteen absolutely, genuinely loves Halloween. Here, Bruce manages to combine both Halloween and New Jersey legends — the Jersey Devil is basically a Satanic Bigfoot — running his vocals through distortion and a bullet mic over a stop-time blues beat. Plus, how many rock songs mention Viagra so brazenly?

The melody is evocative, broad as a western landscape; the vocal delivery full of weary frustration and underscored by highly satisfying gigantic guitar chords that sound like thunder and lighting. The track features gently loping acoustic guitar, layered with accordion and the most soothing vocals, like a mountain stream. Springsteen learned so much from Elvis Presley, including what not to do.

With a strong assist from Chuck Berry, the Boss pays tribute to the King with this simple, pointed, almost-rockabilly track. He initially recorded the demo with a drum machine Old School Pride - Last One Standing (2) - Last One Standing (Cassette) could have re-recorded it with real drums at any point, yet chose not to. If you ever go to Memphis, play it right as you turn onto Elvis Presley Boulevard on your way to Graceland. It is timeless in the best way, glorious and soul affirming.

The idea of using music as a form of prayer is a beautiful sentiment. An awful lot of gambling metaphors set against a standard rock melody. A strong, straightforward anthem. Springsteen minces no words with this one, though it loses a few points for extraneous electronic effects and textures Old School Pride - Last One Standing (2) - Last One Standing (Cassette) add nothing to the composition.

An optimistic track, both lyrically and musically. First, an early rockabilly version was cut early in the —81 recording sessions that led up to The River.

The River version is just a straight-ahead rocker, so it fits better with the record overall, but the rockabilly version absolutely has more depth. The quietest song on the record, but easily the angriest. He asks a lot of questions here without actually asking any actual questions. The power of this song lies in its specificity, the little details and the big ones. He sets the tone with tuba, accordion, acoustic guitar, and mandolin, telling the story of a circus from setting up and settling in to packing up and moving on.

What distinguished this particular cut in his mind? This is the kind of song Springsteen thinks about when he describes why The River needed tracks that evoked an E Street Band show. The disbelief manifests itself in his voice. The good-time sax solo and get-down party music juxtapose with the lyrics in such a strong way. Bruce wants us to understand the hypocrisy of violating basic American civil liberties in the name of keeping America safe.

With all those clever turns of phrase, this song gets better every time you listen to it. This tale of the inveterate rambler rolling to a stop is a keeper.

Think about that again: He wrote it for Elvis Presley. Star time! He lost a lot of weight. For a long time, you only knew about this song if you were there back in the day, or you bought the Live — box set. Its inclusion was one of the things they got right with that release. It was probably thrown on just because Bruce misses Clarence. The track has its basis in the Starkweather killings ; he saw Badlandswhich led him to a book written by a local journalist named Ninette Beaverwhom he would also interview.

Sit down real close and listen good. Van Zandt perfectly colors the chorus on backing vocals, and the entire band is feeling it, slow and steady, with perfect, soulful precision. If you could bottle the sound of that one night, this is what it would be. Definitely one for the ladies. This seven-minute epic outtake was first performed in the spring of A perfect single, a heartfelt paean to the days of catching AM signals across the country, an anthem to the power of the radio airwaves.

The song owes a lot to punk rock. A highly underrated number in the catalogue. Disc two strikes again! The song is a sympathetic celebration of music fandom, delivered with earnest, ebullient vocals, and half a dozen little sonic touches: hand claps, oooh-ooohs, aaah-aaahs, heys, and compact sax solo. It embodies the sultry, languid attitude of a cocksure young Casanova, with the music to match.

This is what it sounds like when Springsteen pursues his power-pop agenda, even though the vocal delivery belongs on a rock-and-roll number. This song catches you by surprise. It opens with random guitar strumming, then the band comes in solemnly, with an almost-orchestral sound. Only the E Street Band could get away with something so unabashedly corny and unironic. Bruce does his best Jackie Wilson imitation on this track, and he pulls it off with aplomb.

The vocals are full of exuberance and ecstasy, and Clemons is the unequivocal star, his sax running a counterpoint beneath the vocal melody. The intricate subtlety of the background instrumentation is simply outstanding: pedal steel and strings, brushes on the cymbals. The same words appear in every chorus, but they imply different emotional states based on the preceding verses.

Go, Janey. The sound of summertime on the Jersey Shore, period. The first of the great epics. It swells when it should, then drops back down in the next measure. His voice is open and full of yearning, Van Zandt adds delightful harmony vocals in counterpoint, and a quasi-Farfisa organ noodles in the background. This would be a sad story of lost love and regret, but two elements elevate it: the lonely, hollow organ chords underneath the main melody, and the bridge.

So simple, yet so compelling. The first song Springsteen wrote for the album. His brother David followed a similar path; leaving boarding school, Old School Pride - Last One Standing (2) - Last One Standing (Cassette) hooked up with Saint, and together they set about snorting and dealing away the years. Finally, inon the heels of two drug busts, Saint decided to go straight.

With his ex-girlfriend, their daughter and her son, he stayed in a series of shelters, then took them to live in Eureka, several hours north of Oakland.

And the questions and uncertainties about his father continue to circulate in his head. I became a drug dealer. What has to be more covert and secret than that? Howard finally put pen to paper and started writing. Saint had been working toward this moment for a long while, and now it was going to happen. So there it was, according to E. Howard Hunt. LBJ had Kennedy killed. It had long been speculated upon. But now E. There was also, on the grassy knoll, a French gunman, presumably the Corsican Mafia assassin Lucien Sarti, who has figured prominently in other assassination theories.

But I knew this had to be the truth. If my dad was going to make anything up, he would have made something up about the Mafia, or Castro, or Khrushchev. Later that week, E. Howard also gave Saint two sheets of paper that contained a fuller narrative. Harvey and Antonio Veciana. He meets with Oswald in Mexico City…. But LBJ changes itinerary to Dallas, citing personal reasons.

Veciana is a member of the Cuban exile community. Sturgis was also one of the Watergate plotters, and he is a man whom E. Howard, under oath, has repeatedly sworn to have not met until Watergate, so to Saint the mention of his name was big news.

In the next few paragraphs, E. Howard goes on to describe the extent of his own involvement. It revolves around a meeting he claims he attended, inwith Morales and Sturgis. It takes place in a Miami hotel room. Why do you need me?

After that, the meeting ends. After reading what his father had written, St. John was stunned too. Saint had a million more questions.

But his father was exhausted and needed to sleep, and then Saint had to leave town without finishing their talk, though a few weeks later he did receive in the mail a tape recording from his dad.

But he essentially remakes the same points he made in his handwritten narrative. Shortly thereafter, Laura found out what had been going on, and with the help of E.

John and his father were kept apart. When they did see each other, they were never left alone. Instead, the old man set about writing his Old School Pride - Last One Standing (2) - Last One Standing (Cassette) and turned his back on his son. He asked for his JFK memos back, and Saint returned them, though not before making copies. John, for his part, believes his father.

Howard was lucid when he made his confession. He was taking no serious medications, and he and his son were finally on good terms. If anything, St. John believes, his father was holding out on him, the old spy keeping a few secrets in reserve, just in case. My dad has always said, Thank God one of them worked.

He claimed he backed out of the plot only so he could disclaim actual involvement. In a way, I feel like he only opened another can of worms. O ut in Eureka, Saint has been reading an advance copy of E. In it, his father looks at LBJ as only one possible person behind the JFK killing, and then only in the most halfhearted, couched-and-cloaked way.

He brings up various other possibilities, too, then debunks each of them. But of all the shadings and omissions in the book, the only one that truly upsets St. John has to do with the happiest moment in his life, that time inon the night of the Watergate burglary, when he helped his father dispose of the spy gear, then ran money for him and ditched the typewriter. The way it unfolds in the book, St. Howard himself who dumps the typewriter.

I did that.

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Hats Off To (Roy) Harper

Harper has written and played with Brighton -based political indie group The Levellers. From Wikipedia, the free encyclopedia. For other people named Nick Harper, see Nick Harper disambiguation. This biography of a living person needs additional citations for verification.

Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediatelyespecially if potentially libelous or harmful. Musical artist. Virgin Books. ISBN Retrieved 15 July Retrieved 29 November Retrieved 14 January Guitarist Magazine. August Retrieved 22 February Roy Harper. An Introduction to Authority control MusicBrainz artist.

Categories : births Living people English folk guitarists English rock guitarists English male guitarists English male singer-songwriters Squeeze band members. Hidden categories: Webarchive template wayback links BLP articles lacking sources from July All BLP articles lacking sources Use dmy dates from September Use British English from September Articles with short description Short description is different from Wikidata Articles with hCards All articles with specifically marked weasel-worded phrases Articles with specifically marked weasel-worded phrases from May Articles with MusicBrainz identifiers.

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Download as PDF Printable version. Controversy followed the release of 's Bullinamingvase. In AprilHarper began writing lyrics for the next Led Zeppelin album with Jimmy Pagebut the project was shelved when lead singer Robert Plant returned from a break after the death of his son, Karac Pendragon. Following the success of BullinamingvaseHarper was asked "to write another record quickly". Dave C. Drill [29] [30] were made, but Harper felt them to be rushed. The record company, who "were in the first stages of a collapse in sales", [31] were not interested in the recordings, nor were they prepared to provide studio time when requested, telling Harper to come back in six months.

As a result, Harper withheld the publishing rights to that which had been recorded; an album provisionally entitled Commercial Breaks doesn't it? From to Harper worked with English musician and 'Black Sheep' member Andy Roberts Hats Off To (Roy) Harper performing as a duo. Chrysalis considered the original Hipgnosis -designed album cover of Harper walking on water to be too offensive for an American release.

Harper disagreed, but was given no choice by the label. Harper returned to the studio a few years after his dispute with EMI to record and prepare his next album The Unknown Soldier.

At the time, Harper knew it would be his last release on the label and it was these demos that " The album features David Gilmour both on guitar and as co-writer of half of its tracks. On one of those tracks, "You", Harper duets with Kate Bush. Harper later reciprocated by singing backing vocals on " Breathing " on Bush's album Never For Ever ; Bush's first no.

Bush thanked Harper on the album's cover for "holding onto the poet in his music". Roy is one of the greatest English songwriters we've had, and people just don't realise it. And I really think that when they do we're going to have another top songwriter up there. He's brilliant. Of Bush, Harper later said. Kate is a fantastic musician and very professional as well. Working with Kate is a very smooth operation because she always knows what she wants to do, surprising you too, which is what good musicians always do" [35].

A decade later, Harper and Bush would again collaborate on his release Once. Harper's album Work of Heart was released on Public Records, a newly formed record label Harper created with Mark Thompson son of English historian, socialist and peace campaigner E.

The album was chosen by Derek Jewell of The Sunday Times as "Album of the Year" inbut it did not sell well and the short-lived label went under. During this period Harper lost his home, a farm in the village of Marden, Herefordshireto the bank. Of this period Harper stated:. I can proudly say that I was one of the first casualties of the eighties recession!

It was a chaotic period and one that I don't care to remember that often There is no doubt in my own mind that the early eighties were the nadir of my life in music". The original demo version of Work of Heart was later released in on a limited edition copies vinyl release entitled Born in Captivity.

ThroughoutHarper toured the United Kingdom with Jimmy Page performing a predominantly acoustic set at folk festivals under various guises such as the MacGregors, and Themselves. InWhatever Happened to Jugula? The album caused a resurgence of interest in Harper and his music. Tony Franklinbass player in Harper's group at this time, later joined Page in the Firm.

This version later appeared on the David Gilmour Live concert film. Harper also provided backing vocals on Gilmour's newly released album, About Face. The concert was videoed and released as Stonehenge As a result of his continual touring and the popularity of Whatever Happened to Jugula?

The renewed relationship between Harper and EMI did not last and from more of his earlier albums were becoming available on the newly formed Awareness Records label. The original release having been Hats Off To (Roy) Harper back because of disputes over funding and content between Harper and EMI. Sales of Loony on the Bus would fund Harper's release; Once. In [38] Harper established his own record label Science Friction and obtained the rights to all his previously released albums.

As a result, from much of Harper's back catalogue became available on CD once more. Harper was very productive during the decade, releasing five studio albums: OnceDeath or Glory?

One of the album tracks, "The Hats Off To (Roy) Harper Cloud of Islam" a song written about Colonel Gaddafi, the Lockerbie bombingand a despairing castigation of radical Islamprovoked criticism from some of Harper's fans at the time. Whilst religion, Harper's "first and only enemy" [39] has always been a recurring theme in his music, [40] he was ' red-carded by a lot of his following Inhis second marriage ended and Harper released Death or Glory?

I was really traumatised by that. Anybody who's been suddenly left like that will know it's very, very traumatic. I managed to come out of it, but it took about five years. It was like a death, a loss, like being told your child's been killed in a war.

There's no other way to describe it. When you go through Hats Off To (Roy) Harper, it changes your life forever, there's no point in not admitting it. I withdrew, retreated, became an exile". Throughout the decade, Harper's musical influence began to be recognised by a younger generation of musicians, some of whom covered his songs or invited him to make guest appearances on their albums.

Harper contributed his version of Jethro Tull's song, "Up the 'Pool" from Living in the Past for the tribute albumTo Cry You a Song — A Collection of Tull Talesa version Anderson liked so much he began to perform the "forgotten piece" again in concert [42] and later described it as his favourite Jethro Tull cover song.

InHarper released an almost entirely acoustic album, The Green Manaccompanied by The Tea Party 's Jeff Martin on guitar, hurdy-gurdy and numerous other instruments. InHarper published The Passions of Great Fortunea large format book containing all the lyrics to his albums and singles to date, it also contained a wealth of photographs and commentary on his songs.

The minute song, a critique of the war in Iraqfeatured guest guitarist Matt Churchill who also performed live with Harper during this period.

A video of the track, intermixing animation with a live performance, is available in four parts on YouTube. Counter Culture received a five-star review from Uncut magazine. The package also includes an additional track audio CD and received a 4-star review from MojoUncutand Classic Rock magazine, who made it their "DVD of the month". Newsom, impressed by Harper's album Stormcock found it served as an inspiration for her similarly expansive second album, Ys.

At the time, Harper made an announcement on his website that he was " During this period, Harper dedicated his time to collecting and compiling his life's work in various formats. One of the intended projects was to be the making of a documentary DVD to round off this process.

However, as of this remains unreleased. Inplans were announced for a Roy Harper tribute album. At present, the collection remains unfinished, having been delayed beyond its planned release date.

Six of the tracks can be heard on the project's Myspace page. As of the project is still categorised as 'in development'. Through the summer ofHarper made a number of appearances on broadcast media.

On 24 JulyHarper appeared as the lunchtime guest on the British cricketing radio programme, Test Match Special. During the show, Harper performed " Another Day " a song from his album Flat Baroque and Berserk live in the studio.

On 23 September Harper was interviewed on Later The media appearances were to promote the release of a new compilation album, Songs of Love and Lossa compilation of Harper's love songs released as an introduction to the digital release of 19 of Harper's albums for the first time. The digital catalogue was to be released in batches of four over the forthcoming months.

The performance was described in The Daily Telegraph as " Inthe Press Photographers Association of Ireland awarded third place in the Portraits section of their annual competition to a photographic portrait of Harper by photographer Alan Place. In December plans to release a new album, Harper's first studio release of newly recorded material for 13 years, were confirmed.

During this period Harper was interviewed by Laura Rawlings on her BBC Radio Bristol show on 15 Augustand also by Rob Hughes of the Telegraph Online who declared "Roy Harper has spent the past five decades crafting some of the most vivid, ravishingly beautiful music of our times A limited number of tickets were available to those who purchased the album in store that day, and the event was also streamed live to a limited number of fans who had pre-ordered the album.

An exclusive documentary film, shot mainly at Harper's home Hats Off To (Roy) Harper Ireland, it traced Harper's career and examined his output. At each performance he was accompanied by Jonathan Wilson and supported by a string and brass ensemble. Led Zeppelin I Once more, John Paul Jones played organ on both tracks. Jimmy Page took the title, changed the melody and the lyrics just enough to avoid a lawsuit, and the rest was history. Take a listen to the Holmes original:. The Jansch version, which has lyrics, can be heard below:.

Scoreboard [based on the original credits, not re-releases]: Original — 3Covered with credit — 2, Ripped off — 4. Led Zeppelin II The band was sued inand courts ruled in favor of Dixon. Check out the Muddy song for context:. While only the intro and outro resemble the Dixon track, no such credit was listed on the initial album, leading to yet another lawsuit. Scoreboard: Original — 8Covered with credit — 2, Ripped off — 8. Led Zeppelin III No official lawsuit was ever filed.

The whole song is a blues medley, so this is not surprising, but White was never credited on the Zeppelin album.

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Computer Simulations for Microchip Electrophoresis. A mathematical model describing electrokinetically driven mass transport phenomena in microfabricated chip devices is presented. The model accounts for principal material transport mechanisms … Expand. Transient electrophoretic processes in capillaries of non-uniform cross-section. The previous model of electrofocusing in a tapered capillary was extended to cover both focusing and non-focusing modes of capillary electrophoresis.

The more general equation derived can be used … Expand. Dynamic simulator for capillary electrophoresis with in situ calculation of electroosmosis.

Abstract A dynamic computer model for the simulation of open-tubular electrophoresis which includes in situ calculation of electroosmosis along the capillary column is described.

For each column … Expand. Numerical simulation Album) capillary electrophoresis: I. Development of a simulation program with high numerical stability. Taken together, these specific aims represent a unique approach that utilizes the power of ultra-high density unit recording together with pharmacological and optogenetic manipulation, to deliver insights into the neural basis of learning and memory. Our results will have a major impact on understanding those diseases that impair hippocampal learning and memory such as Alzheimer's disease, epilepsy, stroke and normal aging.

Understanding how memories of past experiences are stored and retrieved in the brain is a question with immediate relevance to conditions that affect memory such as Alzheimer's disease, epilepsy, stroke and normal aging, but also to disorders such as schizophrenia and autism for which there is increasing evidence of a link between memory-processing brain systems and functions such as thinking, planning and imagination of future experiences.

This proposal aims to take fundamental steps toward establishing a model of memory storage and retrieval, in terms of the way brain cells signal to each other both during active behavior and during rest states. We will study how changes in connections between brain cells might create these events, and how specific brain circuits might contribute, so that collectively our aims will MP3 us what molecular and circuit mechanisms in the brain give rise to brain activity patterns associated with remembering past events and imagining the future.

Toggle navigation. Synaptic and circuit mechanisms of hippocampal place-cell sequences Foster, David J. A constant stream of glue can then be added along the edge of the cuticle from this starting point. Any gaps in the glue should be filled in to prevent the worms from ripping off the Sylgard during the cuticle opening. Once proficient with this step, you will want to make sure the glue is applied to the opposing side of the body from the region you want to record from.

For example, we typically record from the ventral-medial body wall muscles, therefore glue is applied along the dorsal cuticle. Figure 1. Schematic of the worm dissection. Worms thrashing in extracellular saline within the recording chamber are initially glued to the Sylgard coated cover slip by applying glue to either the head or tail. The glue is then along the cuticle until the entire length of the worm is glued as shown in 2.

The inset shows that the glue forms a stabilizing ridge adjacent to the cuticle. The cuticle incision is made by piercing the cuticle with a sharp glass needle close to the interface with the glue at about mid-body length. The dashed line indicates the progression of the cut towards the head.

After sucking out the gonad arm, eggs and intestine from the region exposed by Album) cut, a clean cuticle flap should be observed. The flap is glued using small spots of glue, exposing the body wall muscles in red and ventral nerve cord green.

Once all the worms have been glued, switch to a hand-held dissection pipette. This pipette needs to be sharper than the glue pipette, and have a short sturdy shaft. Continue cutting the cuticle towards the head of the worm with a slicing motion similar to opening a letter.

Once you have made the incision remove all internal organs with the extraction pipette. After clearing the incision, the opened cuticle will retain its cylindrical shape.

Using a fresh glue pipette, glue the cut-edge of the cuticle down using minimal glue. The body wall muscles and ventral nerve cord should then be exposed and accessible Figure To remove the basement membrane that covers the muscles, suck off the recording solution and apply collagenase 0. The Sylgard is hydrophobic and remaining solution will pool around the worms during this process, preventing the worms from drying out. Proceed rapidly to the recording stage.

After positioning the recording chamber on the microscope stage, use the 10X objective to center the worms. Switch to the 40X water-emersion objective and find a worm that has intact muscles and nerve cord.

Turn the recording chamber so that the longitudinal axis of the worm is parallel with the front of the scope allowing electrodes to be introduced from both the left and right side. Patch the muscle using standard patch-clamping techniques. Electrodes of about 4 megohms resistance work well. Once the electrode contacts the muscle and the pipette resistance increases, apply gentle mouth suction to obtain a gigohm seal.

For the whole cell recording configuration, apply more suction and zap the membrane. Body wall muscles of wild-type worms typically have a cell membrane capacitance around 70 pF and remain healthy at a holding potential of mV. Note: Using these solutions the muscle chloride gradient is reversed, therefore GABA currents appear as inward currents due to chloride efflux through GABA receptor channels.

Variations on these solutions may be desirable to separate the GABA component from the ACh component of the synaptic currents. Avery, L. Electrophysiological methods. Methods Cell Biol. Bamber, B. Broadie, K. Synaptogenesis in Drosophila : coupling MP3 and electrophysiology. Paris 88— Abstract Article. Brockie, P. The C. Neuron 31— Culetto, E. The Caenorhabditis elegans unc gene encodes a levamisole-sensitive nicotinic acetylcholine receptor alpha subunit. Davis, M. Album) mutation in the C.

Science— Dent, J. EMBO J. Francis, M. This model is valid for most aqueous systems, where the Debye length is usually only a few nanometers. It only breaks for nano-colloids in solution with ionic strength close to water. The Smoluchowski theory also neglects the contributions from surface conductivity.

This is expressed in modern theory as condition of small Dukhin number :. In the effort of expanding the range of validity of electrophoretic theories, the opposite asymptotic case was considered, when Debye length is larger than particle radius:. This model can be useful for some nanoparticles and non-polar fluids, where Debye length is much larger than in the usual cases. There are several analytical theories that incorporate surface conductivity and eliminate the restriction of a small Dukhin number, pioneered by Overbeek.

In the thin double layer limit, these theories confirm the numerical solution to the problem provided by O'Brien and White. From Wikipedia, the free encyclopedia. Redirected from Electrophoretogram. Motion of charged particles in electric field. For specific types and uses of electrophoresis for example, in various analytical methods and as Elliptical - Toï Doï - Synaptic Electrophoresis (File process of administering medicine, iontophoresissee Electrophoresis disambiguation.

Main article: History of electrophoresis. Affinity electrophoresis Electrophoretic deposition Capillary electrophoresis Dielectrophoresis Electroblotting Gel electrophoresis Gel electrophoresis of nucleic acids Immunoelectrophoresis Isoelectric focusing Isotachophoresis Pulsed-field gel electrophoresis Nonlinear frictiophoresis.

Fundamentals of Interface and Colloid Science. Foundations of Colloid Science. Oxford University Press. Electrokinetic Phenomena.

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Figura 1. Se expresa en porcentajes del trabajo realizado. Evitar los efectos secundarios del EF facilita la adherencia al programa de EF. La mejora en los cuatro componentes se basa en dos principios generales del entrenamiento: sobrecarga y especificidad.

Identificar individuos con necesidades especiales. Mediciones subjetivas: Cuestionarios. Constan entre 20 y 60 preguntas y son generalmente administrados mediante entrevista. Habitualmente el tiempo que se computa incluye desde que el individuo se levanta hasta que se acuesta.

Figura 2. Figura 3. Bloqueo - Various - Momentos 2007 Volumen III Canciones Nacionales (CD) 1. Aparato locomotor 1. Inflamaciones con calor, rubor, dolor e impotencia funcional 2. Enfermedades respiratorias 1. Hemoptisis 3. Tuberculosis activa 4. Fracturas costales 5.

Procesos inflamatorios 6. Enfermedades cardiovasculares 1. Angina inestable 2. Insuficiencia cardiaca congestiva 3. Miocarditis 4. Dependiendo de la cantidad de masa muscular implicada, se diferencia entre resistencia: - General. Dependiendo del tipo de esfuerzo motor que se emplee, se diferencia entre resistencia: cardiorrespiratoria, resistencia muscular, resistencia a la velocidad, etc.

No todas las actividades se prestan por igual a las exigencias de un programa de EF. Tabla 4. Modificada de Pollock y Wilmore Frecuencia cardiaca.

Marins et al. Este es el caso de las ecuaciones 2, 4, 8, 11, 12, 14, 18, 20, 23, 25, 26, 35, 38, 41, 42 y 53, desarrolladas para hombres y las ecuaciones 5, 6, 15, 24, 29, 36, 44, 45, 46, 48 y 54 para mujeres. Tomada de Marins et al. Mantener la FC de entrenamiento Ej.

Tabla 8. Mapa conceptual del significado de MET. MET x 0, x peso Kg. Tabla ACSM En el adulto el valor normal oscila entre 20 y 26 litros. En consecuencia, la mayor parte de los individuos sanos deben realizar el ejercicio dentro de un rango de valores de la escala entre 12 y 17, que equivale a valores entre 4 y 7 de la escala simplificada de 10 puntos.

Test del habla. Tomado de ACSM Se consideran 5 zonas de entrenamiento tabla Zona de actividad moderada.

Zona de control de peso. El RPE deja de ser agradable y aunque no se produce dolor con el entrenamiento, se percibe claramente la intensidad del esfuerzo. Se utiliza como combustible un porcentaje mayor de carbohidratos que de grasas y pocas sesiones de entrenamiento hacen necesarias mayores cargas de trabajo para conseguir la misma FC.

El RPE en este nivel es de dureza. Tomado de Edwards Las zonas de entrenamiento ayudan a establecer metas y rangos de intensidad. Los rangos de entrenamiento que aportan mayores beneficios para la salud cardiovascular se exponen en la tabla Aunque inicialmente se realicen sesiones cortas de 10 minutos. METs 0. Actividad religiosa. Sentado en la iglesia, en misa, participando de una ceremonia, sentado silenciosamente.

Sentado, trabajo de oficina ligero, en general. Tai chi, qu gong, sentado, esfuerzo ligero. General, esfuerzo moderado. Yoga, Surya Namaskar. Caminata de vuelta a casa. Wii Fitesfuerzo ligero ej. Estiramientos, suave. Lavado de platos, recoger los platos de la mesa, caminando, esfuerzo ligero. Actividades invernales: Pasajero de trineo tirado por perros.

Calistenia ej. Actividad sexual. Sujeto activo, esfuerzo intenso. Bloqueo - Various - Momentos 2007 Volumen III Canciones Nacionales (CD) 3. Vals, foxtrot, baile lento, samba, tango, mambo, cha cha cha. Caminar, 2. Caminar, 3 mph 4. Caminar, 4. Aerobic, fuerza. Fuerza-resistenciaesfuerzo moderado. Caminar, 6. Caminar con muletas. Aerobic, bajo impacto. Caminar, 4 mph 6.

Aerobic, step 10 cm. METs 6. Carrera: Trote general. Nadar largos de piscina, estilo libre, suave, esfuerzo suave o moderado.

Aerobic general. Aerobic alto impacto. Aerobic, step cm. Baloncesto, partido. Calistenea flexiones de brazos, abdominales, dominadas, jumping jacksesfuerzo intenso.

Ciclismo BMX. Clases de step, general. METs 9. Bicicleta al aire libre, 14 a Paddle, competitivo. Bicicleta al aire libre, 16 a 19 mph Salto a la comba, general. Aunque, al principio se realicen series cortas de 10 minutos. Las recomendaciones de volumen expresadas en MET, combinando actividades de intensidad moderada y elevada, suponen un objetivo de consumo entre y MET semanales. Adaptado de Pate et al. Se recomienda acumular 1 hora diaria de este tipo de actividades.

Tomada de ACSM Realizar ejercicio solamente cuando el paciente se encuentre bien. En estos casos se recomienda utilizar la escala de Borg, manteniendo puntuaciones en el RPE entre 12 y Llevar calzado y ropa apropiada. Combinar el entrenamiento cardiorrespiratorio con el de fuerza y flexibilidad. Los EF de resistencia cardiorespiratoria combinados con los de fuerza obtienen los mejores resultados en el tratamiento de la dislipemia, siendo junto con la dieta las medidas iniciales del tratamiento.

El entrenamiento de la fuerza se asocia modificaciones en el miocardio que implican cambios positivos en la frecuencia cardiaca FC y volumen respiratorio. Reforzar la musculatura mejora la salud de la espalda. El trabajo muscular reduce el dolor articular, siendo de gran ayuda en el tratamiento de la artritis al reforzar las estructuras que mantienen la estabilidad articular.

Se define como la cantidad de trabajo realizado por unidad de tiempo Test de repeticiones. De forma que cuando se puedan realizar 12 repeticiones en dos entrenamientos consecutivos, se incrementa la carga de 1 a 2 Kg. Zona 1: Fuerza resistencia. Zona 2: Hipertrofia. Zona 3: Fuerza potencia. De 10 a 15 repeticiones es eficaz en la mejora de la fuerza en adultos de mediana edad y personas mayores que inician un entrenamiento.

De 15 Bloqueo - Various - Momentos 2007 Volumen III Canciones Nacionales (CD) 20 repeticiones son recomendadas para mejorar la resistencia muscular. Messier y Dill indican que el tiempo requerido para Bloqueo - Various - Momentos 2007 Volumen III Canciones Nacionales (CD) tres series de un programa de entrenamiento de fuerza es de 50 minutos, mientras que con una serie se utilizan 20 minutos.

En el estudio de Hass y cols. No obstante, progresar hacia un nivel intermedio no requiere modificar la frecuencia de entrenamiento para cada grupo muscular, porque las mejoras se pueden conseguir variando otros factores como; intensidad, el volumen o los ejercicios. En individuos con nivel intermedio se puede mantener una frecuencia de 2 a 3 entrenamientos globales por semana o aumentar a 3 o 4, cuando se puedan dividir los entrenamientos por grupos musculares En ejercicios monoarticulares algunas investigaciones demuestran, la efectividad de introducir micropausas menores a 30 segundos en la misma serie Ej.

En vez de hacer 1 serie de 12 repeticiones continuas, hacer dos miniseries de 6 repeticiones con 15 segundos de pausa entre cada serie. Entrenar la parte ventral y dorsal de los grandes grupos musculares. Individuos con problemas de salud o personas mayores, deben empezar con cargas muy bajas y progresar despacio.

La flexibilidad se va perdiendo a lo largo de toda la vida, pero se puede mejorar en todas las edades Los principales beneficios de los ejercicios de flexibilidad son: oAumento de la temperatura muscular y corporal. En ambos casos se consiguen ganancias similares. Ejercicios de fuerza-resistencia. Ejercicios de resistencia general.

Pueden incorporar ejercicios de recreo para mejorar la adherencia. Figura 8. Figura Esquema de las recomendaciones realizadas por el U. Department of Health and Human Services en Entrenamiento de carga para mantener peso libre de grasa.

Al menos dos veces a la semana los adultos deben realizar actividades que utilicen grandes grupos musculares para mantener o aumentar la fuerza y resistencia muscular. Para maximizar el desarrollo de la fuerza el peso que se utilice debe permitir realizar de 10 a 15 repeticiones en cada ejercicio.

El nivel de esfuerzo debe ser de moderado a alto. C Ensayos no La evidencia procede de los resultados de los enaleatorizados, sayos no controlados o no aleatorios o de estudios estudios obserobservacionales. A Las adaptaciones inducidas por el entrenaReversibilidad miento son revertidas en diferentes grados de los efectos del con el tiempo al cese de un programa de entrenamiento ejercicio regular. Ensayos controlados aleatorizados con gran cantidad de datos ; B.

Ensayos controlados aleatorizados con limitada cantidad de datos ; C. Ensayos no aleatorizados, estudios observacionales; D. El ejercicio de ligera a moderada intensidad puede ser beneficioso para las personas no entrenadas.

B A-B El entrenamiento por intervalos puede ser efectivo en adultos. D B-D A. Resumen de las recomendaciones para el acondicionamiento muscular ACSM, A Tipo A.

Resumen de las recomendaciones para el entrenamiento de la flexibilidad ACSM, B A Volumen - Es un objetivo razonable realizar 60 segundos del tiempo total de estiramiento para cada ejercicio de flexibilidad.

Resumen de las recomendaciones para el entrenamiento neuromotor ACSM, Se consideran los Incrementar 2. Y tan solo un incremento de 2. Entre 5. Entre Existe evidencia de que la inactividad supone mayor riesgo de muerte que el tabaco, la obesidad, el colesterol y la HTA entre hombres adultos figura De ellas, unas 3. No se ha establecido la cantidad y el tipo de EF necesario para conseguir un mejor control de la PA.

El efecto antihipertensivo parece ser similar en ambos sexos. La prueba de esfuerzo en individuos sanos no determina aquellos que van a desarrollar HTA en el futuro. Dato de gran importancia a considerar en los ancianos El efecto antihipertensivo se observa en pacientes que siguen un programa de 3 sesiones a la semana. Este efecto aumenta ligeramente cuando la frecuencia es diaria.

Hit So Hard - Hole (2) - Celebrity Skin (Cassette, Album), Take It Off Him Put It On Me - Organization (2) - Its Been A Long Time A-Comin (Vinyl, LP, Album), Big Boots - Radiohead - The Kid Parade (CD), Shes So Beautiful (Special Extended Mix), Were Not In It - The Muertos - The Muertos II (CD, Album), The Fight - Elmer Bernstein - Gods Little Acre - Original Music From The Motion Picture Sound Track, Mutherf***** Of The Year - Mötley Crüe - The End - Live In Los Angeles (Blu-ray-R), Seguidillas Y Saltonas - Various - Bailes Folklóricos de Espańa (Vinyl, LP), April Fools, Dimmin The Life (Acapella) - L-Fudge / Mathematik - Dimmin The Life / Following Goals (Vinyl)

(Lets Go) All The Way - The Whispers - Headlights (Vinyl, LP, Album)

A short summary of this paper. His first work of non-fiction, Underground, is an examination of the Tokyo subway gas attack. He has translated into Japanese the work of F. Cold November rains drenched the earth, lending everything the gloomy air of a Flemish landscape: the ground crew in waterproofs, a flag atop a squat airport building, a BMW billboard.

So - Germany again. Once the plane was on the ground, soft music began to flow from the ceiling speakers: a sweet orchestral cover version of the Beatles' "Norwegian Wood". The melody never failed to send a shudder through me, but this time it hit me harder than ever. I bent forward, my face in my hands to keep my skull from splitting open. Before long one of the German stewardesses approached and asked in English if I were sick.

I straightened up and looked out of the window at the dark clouds hanging over the North Sea, thinking of all I had lost in the course LP my life: times gone for ever, friends who had died or disappeared, feelings I would never know again. The plane reached the gate. People began unfastening their seatbelts and pulling luggage from the overhead lockers, and all the while I was in the meadow.

I could smell the grass, feel the wind on my face, hear the cries of the birds. Autumnand soon I would be This time she sat next to me and asked if I was all right. Auf Wiedersehen.

Washed clean of summer's dust by days of gentle rain, the mountains wore a deep, brilliant green. The October breeze set white fronds of head-high grasses swaying. One long streak of cloud hung pasted across a dome of frozen blue.

It almost hurt to look at that far-off sky. A puff of wind swept across the meadow and through her hair before it slipped into the woods to rustle branches and send back snatches of distant barking - a hazy sound that seemed to reach us from the doorway to another world.

We heard no other sounds. We met no other people. We saw only two bright red birds leap startled from the center of the meadow and dart into the woods. As we ambled along, Naoko spoke to me of wells. Memory is a funny thing. When I was in the scene I hardly paid it any attention. I never stopped to think of it as something that would make a lasting impression, certainly never imagined that 18 years later I would recall it in such detail.

I didn't give a damn about the scenery that day. I was thinking about myself. I was thinking about the beautiful girl walking next to me. I was thinking about the two of us together, and then about myself again. I was at that age, that time of life when every sight, every feeling, every thought came back, like a boomerang, to me.

And worse, I was in love. Love with complications. Scenery was the last thing on my mind. The smell of the grass, the faint chill of the wind, the line of the hills, the barking of a dog: these are the first things, and they come with absolute clarity.

I feel as if I can reach out and trace them with a fingertip. And yet, as clear as the scene may be, no one is in it. No one. Naoko is not there, and neither am I. Where could we have disappeared to? How could such a thing have happened?

Everything that seemed so important back then - Naoko, and the self I was then, and the world I had then: where could they have all gone? It's true, I can't even bring back her face - not straight away, at least. All I'm left holding is a background, pure scenery, with no people at the front.

True, given time enough, I can remember her face. I start joining images - her tiny, cold hand; her straight, black hair so smooth and cool to the touch; a soft, rounded earlobe and the microscopic mole just beneath it; the camel-hair coat she wore in the winter; her habit of looking straight into my eyes when asking a question; the slight trembling that would come to her voice now and then as though she were speaking on a windy hilltop - and suddenly her face is there, always in profile at first, because Naoko and I were always out walking together, side by side.

Then she turns to me and smiles, and tilts her head just a little, and begins to speak, and she looks into my eyes as if trying to catch the image of a minnow that has darted across the pool of a limpid spring. It takes time, though, for Naoko's face to appear.

And as the years have passed, the time has grown longer. The sad truth is that what I could recall in 5 seconds all too soon needed 10, then 30, then a full minute - like shadows lengthening at dusk.

Someday, I suppose, the shadows will be swallowed up in darkness. There is no way around it: my memory is growing ever more distant from the spot where Naoko used to stand - where my old self used to stand. And nothing but scenery, that view of the meadow in October, returns again and again to me like a symbolic scene in a film. Wake up, it says. I'm still here. Wake up and think about it.

Think about why I'm still here. The kicking never hurts me. There's no pain at all. Just a hollow sound that echoes with each kick. And even that is bound to fade one day. At Hamburg airport, though, the kicks were longer and harder than usual. Which is why I am writing this book. To think. To understand.

It just happens to be the way I'm made. I have to write things down to feel I fully comprehend them. Let's see, now, what was Naoko talking about that day? Of course: the "field well". I have no idea whether there was such a well. It might have been an image or a sign that existed only inside Naoko, like all the other things she used to spin into existence inside her mind in those dark days.

Once she had described it to me, though, I was never able to think of that meadow scene without the well. From that day forward, the image of a thing I had never laid eyes on became inseparably fused to the actual scene of the field that lay before me. I can describe the well in minute detail.

It lay precisely on the border where the meadow ended and the woods began - a dark opening in the earth a yard across, hidden by grass. Nothing marked its perimeter - no fence, no stone curb at least not one that rose above ground level.

It was nothing but a hole, a wide-open mouth. The stones of its collar had been weathered and turned a strange muddy-white. They were cracked and chunks were missing, and a little green lizard slithered into an open seam. You could lean over the edge and peer down to see nothing.

All I knew about the well was its frightening depth. It was deep beyond measuring, and crammed full LP darkness, as if all the world's darknesses had been boiled down to their ultimate density. She would speak that way sometimes, slowing down to find the exact word she was looking for. You could fall in and that'd be the end of you.

Maybe once in two or three years. Somebody disappears all of a sudden, and they just can't find him. So then the people around here say, "Oh, he fell in the field well'.

You'd yell at the top of your lungs, but nobody would hear you, and you couldn't expect anyone to find you, and you'd have centipedes and spiders crawling all over you, and the bones of the ones who died before are scattered all around you, and it's dark and soggy, and high overhead there's this tiny, tiny circle of light like a winter moon. You die there in this place, little by little, all by yourself.

So make sure you don't go off the path. You could go running all around here in the middle of the night and you'd never fall into the well. And as LP as I stick with you, I won't fall in, either. I'm always right. It's got nothing to do with logic: I just feel it.

For example, when I'm really close to you like this, I'm not the least bit scared. Nothing dark or evil could ever tempt me. So did I. She put her hands on my shoulders and peered into my eyes.

Deep within her own pattern. Those beautiful eyes of hers were looking inside me for a long, long time. Then she stretched to her full height and touched her cheek to mine. It was a marvelous, warm gesture that stopped my heart for a moment. Really happy," she said with a sad smile. It would be terrible. It - " Naoko clamped her mouth shut and started walking again. I could tell that all kinds of thoughts were whirling around in her head, so rather than intrude on them I kept silent and walked by her side.

It's just not possible for one person to watch over another person forever and ever. I mean, suppose we got married. You'd have to work during the day. Who's going to watch over me while you're away?

Or if you go on a business trip, who's going to watch over me then? Can I be glued to you every minute of our lives? What kind of equality would there be in that?

Sooner or later you'd get sick of me. You'd wonder what you were doing with your life, why you were spending all your time babysitting this woman. I couldn't stand that. It wouldn't solve any of my problems. And when they do, we'll stop and think about how to go on from there. Maybe you will have to help me. We're not running our lives according to some account book. If you need me, use me. Don't you see?

Why do you have to be so rigid? Relax, let down your guard. You're all tensed up so you always expect the worst. Relax your body, and the rest of you will lighten up. Naoko's voice alerted me to the possibility that I had said something I shouldn't have. If I relaxed my body now, I'd fall apart. I've always lived like this, and it's the only way I know how to go on living. If I relaxed for a second, I'd never find my way back. I'd go to pieces, and the pieces would be blown away.

Why can't you see that? How can you talk about watching over me if you can't see that? Really confused. And it's a lot deeper than you think. But tell me something. How could you have slept with me that time? How could you have done such a thing?

Why didn't you just leave me alone? The desiccated corpses of cicadas that had died at the end of summer littered the surface of the path, crunching beneath our shoes.

Try not to let what I said bother you. Really, I'm sorry. I was just angry at myself. It takes me a while to understand things. But if I do have the time, I will come to understand you - better than anyone else in the world. I tumbled pinecones and cicada shells with my toecap, then looked up at the patches of sky showing through the pine branches.

Hands in pockets, Naoko stood there thinking, her eyes focused on nothing in particular. One is for you to realize how grateful I am that you came to see me here. I hope you'll understand how happy you've made me. I know it's going to save me if anything will. I may not show it, but it's true. Will you remember that I existed, and that I stood next to you here like this? The autumn light filtering through the branches danced over the shoulders of her jacket.

A dog barked again, closer than before. Naoko climbed a small mound, walked out of the forest and hurried down a gentle slope. I followed two or three steps behind. We walked the rest of the way side by side. Writing from memory like this, I often feel a pang of dread.

What if I've forgotten the most important thing? What if somewhere inside me there is a dark limbo where all the truly important memories are heaped and slowly turning into mud? Be that as it may, it's all I have to work with. Clutching these faded, fading, imperfect memories to my breast, I go on writing this book with all the desperate intensity of a starving man sucking on bones. This is the only way I know to keep my promise to Naoko.

Once, long ago, when I was still young, when the memories were far more vivid than they are now, I often tried to write about her. But I couldn't produce a line. I knew that if that first line would come, the rest would pour itself onto the page, but I could never make it happen.

Everything was too sharp and clear, so that I could never tell where to start - the way a map that shows too much can sometimes be useless. Now, though, I realize that all I can place in the imperfect vessel of writing are imperfect memories and imperfect thoughts. The more the memories of Naoko inside me fade, the more deeply I am able to understand her. I know, too, why she asked me not to forget her. Naoko herself knew, of course.

She knew that my memories of her would fade. Which is precisely why she begged me never to forget her, to remember that she had existed. The thought fills me with an almost unbearable sorrow. Because Naoko never loved me. I was 18 and a first-year student. I was new to Tokyo and new to living alone, and so my anxious parents found a private dorm for me to live in rather than the kind of single room that most students took.

The dormitory provided meals and other facilities and would probably help their unworldly year-old survive. Expenses were also a consideration. A dorm cost far less than a private room. As long as I had bedding and a lamp, there was no need to buy a lot of furnishings. For my part, I would have preferred to rent a flat and live in comfortable solitude, but knowing what my parents had to spend on enrolment fees and tuition at the private university I was attending, I was in no position to insist.

And besides, I really didn't care where I lived. Located on a hill in the middle of the city with open views, the dormitory compound sat on a large quadrangle surrounded by a concrete wall. A huge, towering zelkova tree stood just inside the front gate.

People said it was at least years old. Standing at its base, you could look up and see nothing of the sky through its dense cover of green leaves.

The paved path leading from the gate circumvented the tree and continued on long and straight across a broad quadrangle, two three- story concrete dorm buildings facing each other on either side of the path. They were large with lots of windows and gave the impression of being either flats that had been converted into jails or jails that had been converted into flats.

However there was nothing dirty about them, nor did they feel dark. You could hear radios playing through open windows, all of which had the same cream-coloured curtains that the sun could not fade. Next to the common building stood a third dormitory, also three storeys high. Broad green lawns filled the quadrangle, and circulating sprinklers caught the sunlight as they turned. Behind the common building there was a field used for baseball and football, and six tennis courts. The complex had everything you could want.

There was just one problem with the place: its political smell. It (Lets Go) All The Way - The Whispers - Headlights (Vinyl run by some kind of fishy foundation that centered on this extreme right-wing guy, and there was something strangely twisted - as far as I was concerned - about the way they ran the place.

You could see it in the pamphlet they gave to new students and in the dorm rules. The proclaimed "founding spirit" of the dormitory was "to strive to nurture human resources of service to the nation through the ultimate in educational fundamentals", and many financial leaders who endorsed this "spirit" had contributed their private funds to the construction of the place.

This was the public face of the project, though what lay behind it was extremely vague. Some said it was a tax dodge, others saw it as a publicity stunt for the contributors, and still others claimed that the construction of the dormitory was a cover for swindling the public out of a prime piece of real estate.

One thing was certain, though: in the dorm complex there existed a privileged club composed of elite students from various universities. They formed "study groups" that met several times a month and included some of the founders. Any member of the club could be assured of a good job after graduation. I had no idea which - if any - of these theories was correct, but they all shared the assumption that there was "something fishy" about the place. In any case, I spent two years - from the spring of to the spring of - living in this "fishy" dormitory.

Why I put up with it so long, I can't really say. In terms of everyday life, it made no practical difference to me whether the place was right wing or left wing or anything else. Each day began with the solemn raising of the flag. (Lets Go) All The Way - The Whispers - Headlights (Vinyl can't have one without the other. The flagpole stood in the very center of the compound, where it was visible from every window of all three dormitories.

The Head of the east dormitory my building was in charge of the flag. He was a tall, eagle-eyed man in his late fifties or early sixties. His bristly hair was flecked with grey, and his sunburned neck bore a long scar.

People whispered that he was a graduate of the wartime Nakano spy school, but no one knew for sure. Next to him stood a student who acted as his assistant. No one really knew this guy, either. He had the world's shortest crewcut and always wore a navy-blue student uniform. I didn't know his name or which room he lived in, never saw him in the dining hall or the bath. I'm not even sure he was a student, though you would think he must have been, given the uniform - which quickly became his nickname.

In contrast to Sir Nakano, "Uniform" was short, pudgy and pasty-faced. This creepy couple would raise the banner of the Rising Sun every morning at six. When I first entered the dormitory, the sheer novelty of the event would often prompt me to get up early to observe this patriotic ritual. The two would appear in the quadrangle at almost the exact moment the radio beeped the six o'clock signal.

Uniform was wearing his uniform, of course, with black leather shoes, and Nakano wore a short jacket and white trainers. Uniform held a ceremonial box of untreated paulownia wood, while Nakano carried a Sony tape recorder at his side. He placed this at the base of the flagpole, while Uniform opened the box to reveal a neatly folded banner. This he reverentially proffered to Nakano, who would clip it to the rope on the flagpole, revealing the bright red circle of the Rising Sun on a field of pure white.

Then Uniform pressed the switch for the playing of the anthem. The two stood to attention, rigid, looking up at the flag, which was quite a sight on clear days when the wind was blowing.

The lowering of the flag at dusk was carried out with the same ceremonial reverence, but in reverse. Down the banner would come and find its place in the box.

The national flag did not fly at night. I didn't know why the flag had to be taken down at night. The nation continued to exist while it was dark, and plenty of people worked all night - railway construction crews and taxi drivers and bar hostesses and firemen and night watchmen: it seemed unfair to me that such people were denied the protection of the flag.

Or maybe it didn't matter all that much and nobody really cared - aside from me. Not that I really cared, either. It was just something that happened to cross my mind. The rules for room assignments put first- and second-year students in doubles while third- and final-year students had single rooms. Double rooms were a little longer and narrower than nine-by-twelve, with an aluminium-framed window in the wall opposite the door and two desks by the window arranged so the inhabitants of the room could study back-to-back.

To the left of the door stood a steel bunk bed. The furniture supplied was sturdy and simple and included a pair of lockers, a small coffee table, and some built-in shelves.

Even the most well-disposed observer would have had trouble calling this setting poetic. The shelves of most rooms carried such items as transistor radios, hairdryers, electric carafes and cookers, instant coffee, tea bags, sugar cubes, and simple pots and bowls for preparing instant ramen.

The walls bore pin-ups from girlie magazines or stolen porno movie posters. One guy had a photo of pigs mating, but this was a far- out exception to the usual naked women, girl pop singers or actresses. Bookshelves on the desks held textbooks, dictionaries and novels.

The filth of these all-male rooms was horrifying. Mouldy mandarin skins clung to the bottoms of waste-paper baskets. Blackish grime and bits of indefinable matter clung to all the bowls and dishes on the shelves, and the floors were littered with instant ramen wrappers and empty beer cans and discarded lids from one thing or another. It never occurred to anyone to sweep up and throw these things in the bin. Any wind that blew through would raise clouds of dust. Each room had its own horrendous smell, but the components of that smell were always the same: sweat, body odour and rubbish.

Dirty clothes would pile up under the beds, and without anyone bothering to air the mattresses on a regular basis, these sweat- impregnated pads would give off odours beyond redemption. In retrospect, it seems amazing that these shitpiles gave rise to no killer epidemics. My room, on the other hand, was as sanitary as a morgue.

The floor and window were spotless, the mattresses were aired each week, all pencils stood in the pencil holders, and even the curtains were washed once a month. My room-mate was a cleanliness freak. None of the others in the dorm believed me when I told them about the curtains. They didn't know that curtains could be washed. They believed, rather, that curtains were semi-permanent parts of the window.

We didn't even have pin-ups. No, we had a photo of a canal in Amsterdam. I had put up a nude shot, but my room-mate had pulled it down. I wasn't especially attached to the nude, so I didn't protest. Everybody sympathized with me for having Storm Trooper as a room- mate, but I really wasn't that upset about it.

He left me alone as long as I kept my area clean, and in fact having him as my room-mate made things easier for me in many ways. He did all the cleaning, he took care of sunning the mattresses, he threw out the rubbish. He'd give a sniff and suggest a bath for me if I'd been too busy to wash for a few days. He'd even point out when it was time for me to go to the barber's or trim my nasal hair. The one thing that bothered me was the way he would spray clouds of insecticide if he noticed a single fly in the room, because then I had to take refuge in a neighbouring shitpile.

Storm Trooper was studying geography at a national university. As he told me the first time we met, "I'm studying m-m-maps. This was one of the very first new impressions I received when I came to Tokyo for the first time. The thought struck me that society needed a few people - just a few - who were interested in and even passionate about mapmaking.

Odd, though, that someone who wanted to work for the government's Geographical Survey Institute should stutter every time he said the word "map". Storm Trooper often didn't stutter at all, except when he pronounced the word "map", for which it was a per cent certainty. Racine, lonesco, Shakespeare, stuff like that. I felt sorry I had done that to him. I just happened to pick drama, that's all," which was not the most convincing explanation I could have come up with.

But not you, huh? I gave up trying to explain myself. Then we drew lots matchsticks to choose bunks. He got the upper bunk. Tall, with a crewcut and high cheekbones, he always wore the same outfit: white shirt, black trousers, black shoes, navy-blue jumper. To these he would add a uniform jacket and black briefcase when he went to his university: a typical right-wing student.

Which is why everybody called him Storm Trooper. But in fact he was totally indifferent to politics. He wore a uniform because he didn't want to be bothered choosing clothes. What interested him were things like changes in the coastline or the completion of a new railway tunnel. Nothing else. He'd go on for hours once he got started on a subject like that, until you either ran away or fell asleep. He was up at six each morning with the strains of "May Our Lord's Reign".

Which is to say that that ostentatious flag-raising ritual was not entirely useless. He'd get dressed, go to the bathroom and wash his face - for ever. I sometimes got the feeling he must be taking out each tooth and washing it, one at a time. Back in the room, he would snap the wrinkles out of his towel and lay it on the radiator to dry, then return his toothbrush and soap to the shelf. I was used to reading late at night and sleeping until eight o'clock, so even when he started shuffling around the room and exercising, I remained unconscious - until the part where he started jumping.

He took his jumping seriously and made the bed bounce every time he hit the floor. I stood it for three days because they had told us that communal life called for a certain degree of resignation, but by the morning of the fourth day, I couldn't take it any more.

I'm still supposed to be asleep. I don't know how to explain it exactly, but that's how it works for me. Somebody on the third floor would complain. Here, we're over a storeroom. On the lawn. I don't have a transistor radio. I need to plug it in. And you can't do radio callisthenics without music. Mine was a transistor portable, but it was strictly FM, for music. It's so damned noisy.

What do you say? What's that? Bouncing up and down. I was ready to give up, but I wanted to make my point. I got out of bed and started bouncing LP and down and singing the opening melody of NHK's radio callisthenics. I guess you're right. I never noticed. I can put up with the rest. Stop jumping and let me sleep. I've been doing the same thing every day for ten years, and once I start I do the whole routine unconsciously.

If I left something out, I wouldn't be able to do any of it. What could I have said? The quickest way to put a stop to this was to wait for him to leave the room and throw his goddamn radio out the goddamn window, but I knew if I did that all hell would break loose. Storm Trooper treasured everything he owned. He smiled when he saw me sitting on the bed at a loss for words, and tried to comfort me.

Naoko chuckled when I told her the story of Storm Trooper and his radio callisthenics. I hadn't been trying to amuse her, but I ended up laughing myself. Though her smile vanished in an instant, I enjoyed seeing it for the first time in a long while.

We had left the train at Yotsuya and were walking along the embankment by the station. It was a Sunday afternoon in the middle of May. The brief on-and-off showers of the morning had cleared up before noon, and a south wind had swept away the low-hanging clouds. Cookies help us deliver our services. By using our services, you agree to our use of cookies.

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Duo - Gérard Poteau - Jeans Ou Le Fou DAssise (Vinyl, LP, Album)

Info sulla foto. Sposta il mouse per ingrandire - Clicca per ingrandire. Ne hai uno da vendere? Vendine uno uguale. Fai shopping in tutta sicurezza. Garanzia cliente eBay. LP non ricevi l'oggetto che hai ordinato sarai rimborsato.

Ulteriori informazioni - Garanzia cliente eBay - viene aperta una nuova finestra o scheda. Informazioni sul venditore popetkitsch64 Vedi altri oggetti. Contatta il venditore. Visita il Negozio. Info sull'oggetto Condizione:. EUR 19, Accedi per completare l'acquisto Paga senza effettuare l'accesso. Aggiungi al carrello. Aggiungi agli oggetti che osservi Non osservare.

Nessuna spesa di importazione aggiuntiva alla consegna. Fai shopping in tutta sicurezza. Garanzia cliente eBay. Se non ricevi l'oggetto che hai ordinato sarai rimborsato. Ulteriori informazioni - Garanzia cliente eBay - viene aperta una nuova finestra o scheda. Informazioni sul venditore freakout56 Vedi altri oggetti.

Contatta il venditore. Visita il Negozio. Info sull'oggetto Condizione:. EUR 16, Accedi per completare l'acquisto Paga senza effettuare l'accesso. Aggiungi al carrello.

Aggiungi agli oggetti che osservi Non osservare. Nessuna spesa di importazione aggiuntiva alla consegna. Ulteriori informazioni - si apre in una nuova finestra o scheda. EUR 13,00 La Poste - Lettre Suivie Internationale Vedi i dettagli Gli oggetti inviati tramite la spedizione internazionale potrebbero essere soggetti a operazioni doganali e ulteriori spese. Aiuto per la spedizione - si Album) in una nuova finestra Spedizione internazionale : gli oggetti possono essere soggetti a tasse doganali a seconda del valore doganale dell'oggetto.

I venditori dichiarano il valore doganale dell'oggetto e devono attenersi alle leggi sulle dichiarazioni doganali. Per maggiori informazioni contatta l'Agenzia delle Dogane del tuo Paese o visita la pagina di eBay sulle transazioni internazionali.

Meer weten? Geld-terug-garantie van eBay. Ontvang het object dat u hebt besteld of krijgt u geld terug. Verkopergegevens freakout56 Overige objecten bekijken. Winkel bezoeken. Objectgegevens Staat:. EUR 16, Inloggen voor de afhandeling Aankoop voltooien als bezoeker.

Toevoegen aan Volglijst Gevolgd. Volglijst is vol. Ervaren lid. Geen extra invoerkosten bij levering. Dit object wordt via het programma voor internationale verzending verzonden en omvat internationaal traceren. Hulp bij verzending - opent een laag Internationale verzendingen - voor sommige objecten worden mogelijk douanekosten aangerekend, afhankelijk van hun aangegeven waarde. Verkopers vermelden de douanewaarde van het object en moeten zich houden aan de douanewetgeving.

Het douanekantoor van uw land kan meer informatie verstrekken, maar u kunt ook naar de eBay-pagina over internationaal handelen gaan.

Southside Baptist LP Poteau. Michael Jackson Billie Jean. Tones and I Dance Monkey. Without dialogue, Popee the Performer relies on its soundtrack to convey what is happening. Most of the soundtrack was composed by Osamu Tezuka and sung by Aoyagi Tsuneo, though some tracks were outsourced from other composers most notably LP. Many variations exist, including: A music box version. A Japanese version with actual lyrics. The instrumental version. The instrumental version Video.

Sleeping At Last - Duo - Gérard Poteau - Jeans Ou Le Fou DAssise (Vinyl Enneagram.

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Demolite - Sonus (File, MP3)

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The software is very easy to use and fulfills all your disc related requirements. The virtual drives support is amazing. Well, you have come to the right place. Samsung pn64f Sonus faber venere 2. WLDock Posts: 2, I saw those myself. I'm about 5 hr away or two tanks of gas round trip. But, not the right time. Here's another deal! At some point I will progress to these or the LSiM Demolite - Sonus (File if a deal comes along Did you guys already spend your tax returns already?

Save up for the amp later and go get them speakers. Apparently, I need MP3) speakers. Looks like I am heading to STL this week. We're all here to help each other, no matter how it might appear. Contacted the guy! They're still available and may try to make a deal and sell off the RTi's!

PM me if interested! Interesting as I made arrangements with him to pick them up Saturday I would appreciate that. Let me see what he has to say as I called and left him a VM asking what was up. Like I said in the other thread, I offered to have a buddy pick them up tonight and he told me to just wait til Saturday.

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Battle For Britain (The Letter) - David Bowie - Earthling (CD, Album)

Something in the Air Live Paris 99 Hanover Grand [19]. Bieberer Berg Stadion. Maison des Sports. Sommer Arena [20]. Stadio Mario Rigamonti.

Cancelled Las Ventas. Stratford upon Avon. Cancelled Stadion Lechii. Que Club. Royal Court. Shepherd's Bush Empire. Paramount Theater. Universal Amphitheatre. State Theatre. Warehouse [21] [22]. Orpheum Theatre [23]. I still get really elated by the spontaneous event and cannot wait to sit in a claustrophobic space with seven other energetic people and sing till my tits drop off.

Unlike his Nineties records, which were pieced together bit by bit over large periods of time, the band played live in the studio and cut it in a little over two weeks. We had an operating system; an unspoken one. We hardly ever talked about anything.

The new Album) on Toy gave them a cohesive, modern sound. He killed it at Glastonbury. Everything was good. Storia, tecnica, strutture. Arma di Taggia, Atene,p. All , of you. URL consultato il 15 agosto There are , of them. At least until Sunday. URL consultato il 5 giugno Scribes, Script and Booksp. Dover Publicationsp. Libro VI, capitolo Cambridge University Presspp. Casson, op. Solo codici venivano usati dai cristiani per far copie delle Sacre Scritture e anche per altri scritti religiosi.

Gli undici codici biblici di questo periodo sei con la Septuaginta e cinque con parti del Nuovo Testamento sono su codici. Colin H. Roberts e T. ISBN Hagedorn et Album). Blanchard cur. Ritrovamenti del III secolo : di cui 15 sono codici greci di pergamena e 2 latini di pergamena; IV secolo : di cui 56 in pergamena; V secolo : di cui 46 in pergamena. Willis su Greek, Roman, and Byzantine Studiesp. Scribes, Script and Bookspp. Saint Benedict and His Monks. Staples Press Ltdpp. Latin Palaeographypp.

URL consultato il 26 agosto archiviato dall' url originale il 4 dicembre Oxfordp. URL consultato il 20 agosto archiviato dall' url originale il 19 agosto Altre edizioni: —84,—93 edizione italiana, Literary machines URL consultato il 10 gennaio Altri progetti Wikiquote Wikizionario Wikimedia Commons. Portale Editoria. Portale Letteratura. Categorie : Battle For Britain (The Letter) - David Bowie - Earthling (CD Opere letterarie per tipo.

Menu di navigazione Strumenti personali Accesso non effettuato discussioni contributi registrati entra. Namespace Voce Discussione. Visite Leggi Modifica Modifica wikitesto Cronologia. Wikimedia Commons Wikiquote. Lo stesso argomento in dettaglio: Battle For Britain (The Letter) - David Bowie - Earthling (CD supporto. Lo stesso argomento in dettaglio: Rotulus. Lo stesso argomento in dettaglio: Codice filologia. LA « Quam brevis inmensum cepit membrana Maronem! Ipsius vultus prima tabella gerit.

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