Cool Blues 8. Dixie 9. Scrapple From The Apple Au Privave. Liner notes provided by Laurie Pepper, along with photographs she took at the sessions. Pressed at Furnace Record Pressing. After releasing multiple studio albums in Oscar took his longstanding collaborators, Joe Pass, Martin Drew and Dave Young on the road to focus on original music and timeless classics during the pinnacle of the group's creative stride.
Acclaimed singer-songwriter and multi-instrumentalist Grant-Lee Phillips has unwrapped a new gift for the Christmas season: an EP of Americana-crooning holiday tunes, titled Yuletide. This is the first time any of these songs have been available on vinyl. Pressed on green vinyl. Winterglow A2. Take Me Back to Toyland A3. An Old-Fashioned Christmas A4. Auld Lang Syne A5.
Have Yourself a Merry Little Christmas. Winterglow B2. Take Me Back to Toyland B3. An Old-Fashioned Christmas B4. Auld Lang Syne B5. Seminal Florida punk band Pink Lincolns see their original unreleased four-song cassette demo get an official vinyl release for the very first time.
Side B, "I am a Genius," stops nothing short of the name. This is the last unreleased recordings of Pink Lincolns, featuring founding and now deceased guitarist Dorsey Martin. Original demo recording never before heard by fans. Comes with liner notes from front-man Chris Barrows.
Originally released in the album peaked at 2 on the Billboard charts and sold over 7. This deluxe vinyl packaging for RSD Black Friday includes an OBI strip, a gatefold jacket, printed inner sleeve and specialty color vinyl with original record labels. More than ten years since the film's release, this soundtrack continues to be one of the most popular in entire the Varese catalog.
While a truncated, eleven track LP was released for Record Store Day inand sold outand a picture disc of the same was released a few years later, the entire minute soundtrack, as presented on all other formats back inhas never been available on vinyl. This full track album is expanded to two LPs and housed in a gatefold jacket.
This Is Berk 2. Dragon Battle 3. The Downed Dragon 4. Dragon Training 5. Wounded 6. The Dragon Book 7. Focus, Hiccup! Forbidden Friendship 2. New Tail 3. See You Tomorrow 4. Test Drive 5. Not So Fireproof 6. This Time For Sure 7. Astrid Goes For A Spin 8. Romantic Flight Side C: 1. The Cove 3.
The Kill Ring 4. Ready The Ships 5. Battling The Green Death Side D: 1. Counter Attack 2. Coming Back Around 4.
The Vikings Have Their Tea Green on Red helped lead the way for the insurgent country of the s, but on his own Prophet has grown far beyond the category. No Other Love is maverick genre-bending in the manner of Beck and Jim White, and the stylistic variety suits Prophet's compositions, peopled by crazed desperados and beautiful losers.
The songs run the gamut from the raunchy horn-driven swagger of "That's How Much I Need Your Love" to the stinging, pleading "Elouise," where his ever-inventive guitar vies with Farfisa organ.
Prophet enjoys spicing songs with pop culture references, but his wry humor is counterbalanced by a strong moral undertow in "I Bow Down and Pray to Every Woman I See" and the beautiful "Summertime Thing.
This limited edition release will be pressed on red splatter vinyl at MPO in France. No Other Love is now on vinyl for the first time outside of a limited German release in This release is limited to 4, copies worldwide. SIDE A 1. What Can You Tell Me 2. After The Rain 3. Run Primo Run 5. Storm Across The Sea 6. No Other Love. Elouise 2.
Summertime Thing 4. What Makes The Monkey Dance 5. Old Friends. Live versions of songs from the Existential Reckoning album, as performed during the October livestream event. Bread And Circus 2. Apocalyptical 3. The Underwhelming 4. Grey Area 5. Theorem 6. UPGrade 7. Bullet Train to Iowa 8. Personal Prometheus 9. A Singularity Postulous Fake Affront Based on his birth name and the fact that he was branching out into more digital production, Bobby Diggs became Bobby Digital. As Bobby Digital, I could use a character to describe some of the earlier days of my own life.
Partying, bullshitting, going crazy, chasing women, taking drugs. It was a mixture of fiction and reality together to make a character I thought would be entertaining. Golden Wing - Hari Yang Mulya 2. Beybonlar - Nenni? Icecross - Sad Sad Man 4.
Paternoster - Realization 5. Christopher - In Your Time. Chucky Thurmon - Tickets For Doomsday 2. Upheaval - Paradise Lost 3. DR Hooker - The Bible 4. Culled from an evening that also included Suzanne Vega and Victoria Williams, there was perhaps no other pairing more perfectly suited to the In Their Own Words platform than this singular meeting of Lou Reed and Kris Kristofferson.
The two songsmiths in question were born and raised in two very different worlds - Lou Reed in the jungles of New York City and Kris Kristofferson in the heart of the Southland. Through the lens of their music, Lou and Kris view the human condition with a sense of humility and no small amount of humor, which was always close at hand. Introduction 2. Vin Scelsa Introduces Lou Reed 3. Betrayed 4. VS Introduces Kris Kristofferson 5.
Shipwrecked 6. LR on Songwriting 7. Legendary Hearts 8. LR on New York Strawman LR on Writing for Wim Wenders LR on Autobiographical Songs KK on Nashville Sweet Jane KK on Writing To Beat The Devil LR on Writing Prose Romeo Had Juliet Burden of Freedom Me and Bobby McGee Bird On A Wire Tracks of My Tears. Following the meteoric success of the viral mega hit "Dat Stick" Rich Brian comes with his debut studio album, Amen.
Primarily produced by Rich Brian himself, with help from a few friends, the album proves the rapper from Indonesia is more than just an internet sensation. Amen 2. Cold 3. Occupied 4. Introvert feat. Joji 5. Attention 6. Glow Like Dat 7. Trespass 8. Flight 9. See Me Enemies Kitty Little Prince feat. NIKI Chaos Arizona feat. He's On Fire 2. Faith feat. Healing is Todd Rundgren's ninth studio album, released in The album's themes are spirituality and the human condition, something Rundgren had touched on many times in earlier works but never with the consistency exhibited here as every track explores a different aspect.
Bobby Rush. The sophomore release from this hard-rockin' Miami band ran the gamut from Beatle-esque pop to Led Zep heaviosity and went Gold in the process! Never released on vinyl in the US, The Lizard comes in reptilian green marbled vinyl limited to copies worldwide, with jacket and printed inner sleeve, complete with lyrics. Can you believe there hasn't been a legitimate Shangri-Las collection issued on vinyl since, well, forever?!
At least not since the advent of the CD era. But we're making up for lost time with this one--when it comes to Shangri-Las compilations, this one's sorry the leader of the pack! Twenty-five tracks newly remastered by Eliot Kissileff from tape sources, presented in a 2-LP set pressed in vroom! Liner notes by Shangri-Las expert John Grecco featuring his personal reminiscences of such legends as producer "Shadow" Morton, engineer Brooks Arthur, and band manager Larry Martire and rare photos complete the best-looking Shangs package ever released.
Remember Walkin' in the Sand 2. Leader of the Pack; What Is Love? Give Him a Great Big Kiss 4. Maybe; Out in the Streets 5. Give Us Your Blessings 6. Heaven Only Knows 7.
Never Again 8. What's a Girl Supposed to Do? The Dum Dum Ditty Right Now and Not Later Long Live Our Love Sophisticated Boom Boom He Cried Dressed in Black Past, Present, and Future Paradise Love You More Than Yesterday The Sweet Sounds of Summer I'll Never Learn Take the Time Footsteps on the Roof. Better Days 2. Got a Hold On Me. Rites of Passage 2. Myth Science InDusty Springfield was already an international superstar with fifteen hits under her belt for the Philips label when she decided it was time for a change.
What followed was one of the most legendary and momentous label moves in pop music history: Dusty decamped to Atlantic Records, where, under the tutelage of Jerry Wexler, Tom Dowd, and Arif Mardin, she recorded one of the greatest albums of all time, Dusty in Memphis, and scored such indelible hits as 'Son-of-a Preacher Man' and 'The Windmills of Your Mind' before moving on to Philly soul 'A Brand New Me.
We at Real Gone Music have closely examined this crucial period in Dusty's career over the years, with three previous releases. But there remains one facet of her Atlantic period which has remained largely untouched: her singles. The Complete Atlantic Singles presents the A and B-sides of all dozen singles she recorded for the label in their original mono single mixes, on vinyl for the first time in over 50 years most of these single mixes weren't even available on compact disc until our recent CD release.
Mastered by Mike Milchner from original tape sources, annotated by Joe Marchese, and featuring copious photos, The Complete Atlantic Singles is an absolute must for any Dusty devotee or any soul fan to boot.
Ruby red 2-LP vinyl pressing limited to 3, copies worldwide. Son-of-a Preacher Man 2. Just a Little Lovin' Early in the Morning 3.
Don't Forget About Me 4. Breakfast in Bed 5. The Windmills of Your Mind 6. In the Land of Make Believe So Much Love A Brand New Me Bad Case of the Blues Silly, Silly Fool; Joe I Wanna Be a Free Girl Let Me Get in Your Way Lost; Never Love Again Haunted; Nothing Is Forever I Believe in You Someone Who Cares. Sincethe Squirrel Nut Zippers have sacked and plundered the old, weird America then sailed off to further distant lands.
They have used New Orleans as their hideout and base of operations. Jean-Lafitte-like the hide in the lee side of barrier island, receiving goods and masking dark back channel deals; hiding in cellars or in plain view. Infans were able to gaze into the tea leaves that make up their brand new album: Lost Songs of Doc Souchon to see if they can discern their own destiny. It pulls on the hidden thread. In keeping with that time period, the band turned to Fleischer Studios home of Betty Boop to use some of their historic animations for a brand new video for the track.
The look, the music, all of it," commented Jimbo Mathus. Between the Squirrel Nut Zippers sold over three million albums. Their watershed album, Hot was recorded in the heat of New Orleans, fueled by a smoldering mix of booze and a youthful hunger to unlock the secrets of old world jazz. This passion mixed with klezmer, blues and random bits of contemporary musical leanings became the bands signature style. At the time, there were few other bands inhabiting this space.
Joy To The World 5. Holy Unto The Lord 6. The Savior Is Born. Sweet Little Jesus Boy 2. No Room At The Inn 3. There Was A Star 4. Oh Little Town Of Bethlehem 5. Wasn't That A Mighty Day 6.
Silent Night. This set presents two Stray Cats shows, recorded in Germany at the height of their powers. The first set is actually the latter of the tworecorded just before the release of their third album, as they're playing a big outdoor festival. The second set is earlier, fromand you can hear a hungry young band as they tear into their set with a punk ferocity. This release lets you hear how exactly the Stray Cats established their reputation as a great live band.
This triple album is now available as an RSD Black Friday exclusive in a tri-fold sleeve with a four page booklet, individually numbered on silver vinyl, limited to copies worldwide. Baby Blue Eyes 2. Double Talkin' Baby 3. Rumble In Brighton 4.
Drink That Bottle Down 5. Built For Speed. Look At That Cadillac 2. Runaway Boys 3. Lonely Summer Nights 4. Too Hip, Gotta Go 5. Stray Cat Strut. Side C 1. She's Sexy And 17 2. Banjo Time Foggy Mountain Breakdown 3. The Race Is On 4. Tear It Up 5. Oh Boy 6. Rock This Town. Sweet Love On My Mind 2. My One Desire 5. Ubangi Stomp. Side E 1. Drink That Bottle Down 2. Storm The Embassy 3. Stray Cat Strut 4. Fishnet Stockings 5.
Important Words. Manson Murder feat. Hater Love feat. Haze Vs. Red Eye feat. Reckless feat. Open Up feat. Scram Jones. Omniverse, recorded in New York in and released that year on Sun Ra's Saturn label catalogis a solid, overlooked set in the vast Ra canon. The tracks aren't so much compositions as excursions, with few memorable themes or recurring motifs. It's pure jazz, somewhat "inside" for Rawith little of the aggressiveness and confrontation for which the bandleader was renowned.
Omniverse offers lots of reflective piano in trio, quartet, and sextet settings. Instead of a keyboard showcase, Sun Ra engages in dynamic interplay with the rhythm section. The horns are featured largely as soloists; there are few ensemble passages. The Place of Five Points 2. Dark Lights in a White Forest 4. Omniverse 5. Visitant of the Ninth Ultimate. A time regardless of differences or distance where we all come together and celebrate love and togetherness!
Christmas songs are truly timeless and never get old! Me and all my best buddies came together and recorded some of our very favorite Christmas songs that our biggest influences have done over the years!
I can only hope it brings you a bit closer this year! Happy Holidays! Tank and The Bangas have spent all of working on their new album which will come out in Two of the most exciting songs are: BIG and Outside. The first and only solo album by Tammi Terrell, released before her premature death at the age of The Irresistible Tammi Terrell is one of the greatest and most undervalued Motown albums from the s.
Available for the first time on g yellow vinyl. Come On And See Me 4. He's The One I Love 8. Hold Me Oh My Darling This deluxe package will include an OBI strip with the RSD Black Friday logo, single cardboard album jacket, printed inner sleeve, orginial record labels and blue translucent color vinyl.
She sadly passed away in at the young age of 57 after a hard life in the music business, having added a female voice to a field that was dominated by white males, and her strong personality transgressed stereotypes of what an African-American woman should be. This transgression was an integral part of her performance and stage persona. Side B 5. Summertime 6. Sassy Mama. Universally acclaimed for its enthusiastic fusion and adventurous spirit, the record embraces 'electronic music's futuristic sound-sculpting and reconnects it with the history of African-American pop' resulting in a 'densely layered, expertly played, genre-crossing marvel' Pitchfork.
Translucent red LP housed in a beautiful gold sleeve with a large hologram sticker and gold holofoil detail. Austin Peralta - bonus track B8 Daylight Reprise - bonus track. First and only pressing. Limited to copies. Apartment 54 2. Friends of Mine The Zombies. Hailing from Memphis, Chris Travis has created his own wave in the hip-hop community for almost the past decade. Intro 2. Purple Thoughts 3.
How It Is 4. When We Ride 5. Sip That Shit 7. Codeine Vision 8. Drugs- Wavadelic Freestyle Pt. Psychedelic Funk Actavis Tokyo Wet Like My Bitches Balance Stayin True. Trippie Redd has become one of the most successful hip hop artists of the last couple years, with five consecutive album debuts in the Top 5 of the Billboard chart, including one 1 album. Love Scars 2.
Love Scars Pt. Deeply Scared 5. Blade of Woe 6. It Takes Time 7. Poles 8. No Smoke No Smoke B. Stoves On 14th Limitless Can You Rap Like Me? Never Ever Lane Bust Down Feel Good In Too Deep Deadman's Wonderland Back Of My Mind Today Hellboy Back Back Back Dangerous Overweight Overdose Let Me Down.
The 7" will be numbered and limited to Freedom - Various - Pops Top Hits (Vinyl. Quite simply, U Roy created the template for all those countless Mic MCs who followed his example, from the s to now. From the early days until his end, U Roy was the epitome of the Rastafarian message of black pride and love. Although ticketed as 31st Decemberthe show started at midnight on 1st January and was broadcast across Europe at the time. Kali Uchis' album pressed on exclusive pink vinyl with an exclusive alternate cover and a poster insert.
A double album of new interpretations from the rich canon of songs about the rails and how the music and the railroad shaped America and its musical history. Some pictures of acoustic recording sessions show horns wrapped with tape to help mute these resonances. Even an acoustic recording played back electrically on modern equipment sounds like it was recorded through a horn, notwithstanding a reduction in distortion because of the modern playback.
Toward the end of the acoustic era, there were many fine examples of recordings made with horns. Electric recording, which developed as early radio became popularbenefited from the microphones and amplifiers used in radio studios. The early electric recordings were reminiscent tonally of acoustic Freedom - Various - Pops Top Hits (Vinyl, except there was more recorded bass and treble as well as delicate sounds and overtones cut on the records.
This was in spite of some carbon microphones used, which had resonances that colored the recorded tone. The double button carbon microphone with stretched diaphragm was a marked improvement. Alternatively, the Wente style condenser microphone used with the Western Electric licensed recording method had a brilliant midrange and was prone to overloading from sibilants in speech, but generally it gave more accurate reproduction than carbon microphones.
It was not unusual for electric recordings to be played back on acoustic phonographs. The Victor Orthophonic phonograph was a prime example where such playback was expected.
In the Orthophonic, which benefited from telephone research, the mechanical pickup head was redesigned with lower resonance than the traditional mica type.
Also, a folded horn with an exponential taper was constructed inside the cabinet to provide better impedance matching to the air.
As a result, playback of an Orthophonic record sounded like it was coming from a radio. Eventually, when it was more common for electric recordings to be played back electrically in the s and s, the overall tone was much like listening to a radio of the era. Magnetic pickups became more common and were better designed as time went on, making it possible to improve the damping of spurious resonances.
Crystal pickups were also introduced as lower cost alternatives. The dynamic or moving coil microphone was introduced around and the velocity or ribbon microphone in Both of these high quality microphones became widespread in motion picture, radio, recording, and public address applications. Over time, fidelity, dynamic and noise levels improved to the point that it was harder to tell the difference between a live performance in the studio and the recorded version.
This was especially true after the invention of the variable reluctance magnetic LP) cartridge by General Electric in the s when high quality cuts were played on well-designed audio systems. There were important quality advances in recordings specifically made for radio broadcast. The intent of the new Western Electric system was to improve the overall quality of disc recording and playback.
The newly invented Western Electric moving coil or dynamic microphone was part of the Wide Range System. It had a flatter audio response than the old style Wente condenser type and didn't require electronics installed in the microphone housing.
Signals fed to the cutting head were pre-emphasized in the treble region to help override noise in playback. Groove cuts in the vertical plane were employed rather than the usual lateral cuts. The chief advantage claimed was more grooves per inch that could be crowded together, resulting in longer playback time. Additionally, the problem of inner groove distortion, which plagued lateral cuts, could be avoided with the vertical cut system.
Wax masters were made by flowing heated wax over a hot metal disc thus avoiding the microscopic irregularities of cast blocks of wax and the necessity of planing and polishing.
Vinyl pressings were made with stampers from master cuts that were electroplated in vacuo by means of gold sputtering. Audio response was claimed out to 8, Hz, later 13, Hz, using light weight pickups employing jeweled styli. Amplifiers and cutters both using negative feedback were employed thereby improving the range of frequencies cut and lowering distortion levels.
Radio transcription producers such as World Broadcasting System and Associated Music Publishers AMP were the dominant licensees of the Western Electric wide range system and towards the end of the s were responsible for two-thirds of the total radio transcription business. Developmentally, much of the technology of the long playing record, successfully released by Columbia incame from wide range radio transcription practices.
The use of vinyl pressings, increased length of programming, and general improvement in audio quality over 78 rpm records were the major selling points. Goldmark, Rene' Snepvangers and William S. Bachman in made it possible for a great variety of record companies to get into the business of making long playing records.
The LP record for longer works, 45 rpm for pop music, and FM radio became high fidelity program sources in demand. Radio listeners heard recordings broadcast and this in Freedom - Various - Pops Top Hits (Vinyl generated more record sales.
The industry flourished. Technology used in making recordings also developed and prospered. There were ten major evolutionary steps that improved LP production and quality during a period of approximately forty years. At the time of the introduction of the compact disc CD inthe stereo LP pressed in vinyl was at the high point of its development.
Still, it continued to suffer from a variety of limitations:. Audiophiles have differed over the relative merits of the LP versus the CD since the digital disc was introduced. Modern anti-aliasing filters and oversampling systems used in digital recordings have eliminated perceived problems observed with very early CD players. There is a theory that vinyl records can audibly represent higher frequencies than compact discs, though most of this is noise and not relevant to human hearing.
According to Red Book specificationsthe compact disc has a frequency response of 20 Hz up to 22, Hz, and most CD players measure flat within a fraction of a decibel from at least 0 Hz to 20 kHz at full output. Due to the distance required between grooves, it is not possible for an LP to reproduce as low frequencies as a CD. Additionally, turntable rumble and acoustic feedback obscures the low-end limit of vinyl but the upper end can be, with some cartridges, reasonably flat within a few decibels to 30 kHz, with gentle roll-off.
Carrier signals of Quad LPs popular in the s were at 30 kHz to be out of the range of human hearing. The average human auditory system is sensitive to frequencies from 20 Hz to a maximum of around 20, Hz.
High frequency sensitivity decreases as a person ages, a process called presbycusis. For the first several decades of disc record manufacturing, sound was recorded directly on to the "master disc" at the recording studio. From about on earlier for some large record companies, later for some small ones it became usual to have the performance first recorded on audio tapewhich could then be processed or edited, and then dubbed on to the master disc.
A record cutter would engrave the grooves into the master disc. Early versions of these master discs were soft waxand later a harder lacquer was used. The mastering process was originally something of an art as the operator had to manually allow for the changes in sound which affected how wide the space for the groove needed to be on each rotation.
As the playing of gramophone records causes gradual degradation of the recording, they are best preserved by transferring them onto other media and playing the records as rarely as possible. They need to be stored on edge, and do best under environmental conditions that most humans would find comfortable. Where old disc recordings are considered to be of artistic or historic interest, from before the era of tape or where no tape master exists, archivists play back the disc on suitable equipment and record the result, typically onto a digital format, which can be copied and manipulated to remove analog flaws without any further damage to the source recording.
For example, Nimbus Records uses a specially built horn record player  to transfer 78s. Anyone can do this using a standard record player with a suitable pickup, a phono-preamp pre-amplifier and a typical personal computer. However, for accurate transfer, professional archivists carefully choose the correct stylus shape and diameter, tracking weight, equalisation curve and other playback parameters and use high-quality analogue-to-digital converters.
As an alternative to playback with a stylus, a recording can be read optically, processed with software that calculates the velocity that the stylus would be moving in the mapped grooves and converted to a digital recording format.
This does no further damage to the disc and generally produces a better sound than normal playback. This technique also has the potential to allow for reconstruction of broken or otherwise damaged discs. Groove recordings, first designed in the final quarter of the 19th century, held a predominant position for nearly a century—withstanding competition from reel-to-reel tapethe 8-track cartridgeand the compact cassette.
The widespread popularity of Sony's Walkman was a factor that contributed to the vinyl's lessening usage in the s. Vinyl records experienced a sudden decline in popularity between and when the major label distributors restricted their return policies, which retailers had been relying on to maintain and swap out stocks of relatively unpopular titles.
First the distributors began charging retailers more for new product if they returned unsold vinyl, and then they stopped providing any credit at all for returns.
Retailers, fearing they would be stuck with anything they ordered, only ordered proven, popular titles that they knew would sell, and devoted more shelf space to CDs and cassettes. Record companies also deleted many vinyl titles from production and distribution, further undermining the availability of the format and leading to the closure of pressing plants.
This rapid decline in the availability of records accelerated the format's decline in popularity, and is seen by some as a deliberate ploy to make consumers switch to CDs, which unlike today, were more profitable for the record companies. In spite of their flaws, such as the lack of portability, records still have enthusiastic supporters. Vinyl records continue to be manufactured and sold today,  especially by independent rock bands and labels, although record sales are considered to be a niche market composed of audiophilescollectorsand DJs.
Old records and out-of-print recordings in particular are in much demand by collectors the world over. See Record collecting.
Many popular new albums are given releases on vinyl records and older albums are also given reissues, sometimes on audiophile-grade vinyl. In the United Kingdom, the popularity of indie rock caused sales of new vinyl records particularly 7 inch singles to increase significantly in  briefly reversing the downward trend seen during the s. In the United States, annual vinyl sales increased by Many electronic dance music and hip hop releases today are still preferred on vinyl; however, digital copies are still widely available.
This is because for disc jockeys "DJs"vinyl has an advantage over the CD: direct manipulation of the medium. DJ techniques such as slip-cueingbeatmatchingand scratching originated on turntables. With CDs or compact audio cassettes one normally has only indirect manipulation options, e. With a record one can place the stylus a few grooves farther in or out, accelerate or decelerate the turntable, or even reverse its direction, provided the stylus, record playerand record itself are built to withstand it.
Figures released in the United States in early showed that sales of vinyl albums nearly doubled inwith 1. Sales have continued to rise into the s, with around 2. InTaylor Swift soldcopies of her ninth studio album Evermore on vinyl. The sales of the record beat the largest sales in one week on vinyl since Nielsen started tracking vinyl sales in The sales record was previously held by Jack White who sold 40, copies of his second solo release, Lazarettoon vinyl in Inthe sale of vinyl records was the only physical music medium with increasing sales with relation to the previous year.
Sales of other mediums including individual digital tracks, digital albums and compact discs have fallen, the last having the greatest drop-in-sales rate. Pepper's Lonely Hearts Club Band. According to the RIAA 's midyear report inphonograph record revenues surpassed those of CDs for the first time since the s.
VinylVideo is a format to store a low resolution black and white video on a vinyl record alongside encoded audio.
From Wikipedia, the free encyclopedia. For the magazine, see Phonograph Record magazine. Disc-shaped vinyl analog sound storage medium. Play media. Video of a spring-motor-driven 78 rpm acoustic non-electronic gramophone playing a shellac record. See also: LP record. Further information: High fidelity. Main article: Laser turntable.
See also: Comparison of recording media. Main article: Unusual types of gramophone records. This section needs additional citations for verification.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. For other uses, see Broken Record disambiguation. Further information: Analog recording vs. Further information: Production of phonograph records. See also: Vinyl revival. This section needs to be updated. Please help update this article to reflect recent events or newly available information.
April Archived at the Wayback Machine. Kitchener — Waterloo Record — Kitchener, Ont. Archived from the original on Wired UK. Retrieved Metrication Matters. Information Week. The New York Times. The talking phonograph. Scientific American, 14 December, LIFE : 87— Music Educators JournalVol. The Recording and Reproduction of Sound revised and enlarged 2nd ed. Indianapolis: Howard W. London: British Library. Archived PDF from the original on The New York TimesFebruary 23,p.
Archived at the Wayback Machine Front page. All 8-inch discs have such stamps on them. Cambridge University Press. University Press of Florida. ISBN Peyton's Big Damn Band". Oxford University Press. Walker Spalding, Lincolnshire: The Authors.
London: The British Library. Popular Science. Bonnier Corporation. ISSN New York: Billboard Publishing Co. Sound recording: the life story of a technology. Greenwood technographies. JHU Press. Audio signal processing and coding. American record guidep. This compander exists in two identically named but slightly different versions; only one of them has a dedicated "Disk" setting, the other one instead has an additional setting to combine subsonic with MPX filtering.
In this model, High-Com II encoded vinyl disks have to be played back through the "Rec" setting of a connected tape deck. Bizet Carmen prelude  2. Rimsky-Korsakov Procession of the Nobles from Mlada  3. Brahms Hungarian Dance No. Sextet Sherman Martin Austin : 1.
Impressions John Coltrane  2. Mimosa Dennis Irwin  3. Little B's Poem Bobby Hutcherson  4. The result is High-Com IIthe world's finest two-band noise-reduction system.
There is no residual hiss ; the ticks, pops, and crackles that mar conventional discs are absent. So is turntable rumble.
The loud passages emerge with unprecedented clarity since they need not be recorded at so high and distortion-producing a level. This common fault of noise-reduction systems has been eliminated in High-Com II. Listen also to High-Com II's remarkable ability to accurately preserve musical transients. They are neither muted nor exaggerated nor edgy as with other companders. This accuracy of reproduction—on all types of music, at all frequencies, and at all levels—is what distinguishes High-Com II from other noise-reduction systems.
Low-level signals are processed for maximum noise reduction, high-level ones for minimum distortion. This sophisticated technique assumes maximum dynamic range with minimum "breathing" and other audible side effects. Sound without breathing, pumping, or other ill side effects.
Includes a description of the UC compander system. Written at Dresden, Germany. According to the author he later also developed an improved version utilizing more modern ICs. Lexikon Imprint Verlag. Die Expansion erfolgt spiegelverkehrt. Vermutlich aus diesem Grund hat man auf eine weithin sichtbare Kennzeichnung der mit diesem Verfahren aufgenommenen Platten verzichtet.
Bis dahin gibt es aber noch eine Schwierigkeit. Also shows a picture of the "U" engraving in the silent inner groove indicating UC encoded vinyl disks. Aardvark Mastering. The Vinyl Factory. The Talking Machine Review Freedom - Various - Pops Top Hits (Vinyl.
Ernie Bayly, Bournemouth 38 : — Record Industry Association of America Inc. The Record Collectors Guild. Accessed January 26, It's been said to be less noisy, which really has more to do with the grade of vinyl.
The Audiophiliac takes on that myth". Recollections guide to collectible LPsvolume 1, p. In Glen Ballou ed. Howard W. Small Signal Audio Design. Haber Audio Engineering Society. Entertainment Weekly Hal Leonard Corporation. Journal of Popular Culture. The Business Online. London: Telegraph. Rolling Stone.
The Sydney Morning Herald. Archived from the original PDF on The trend to buy vinyl records continues. Since has the global sales increased from approximately 3.
Despite this, is it still a small part of the total record sale. In Sweden was The artists who sell most ar usually older artists and records. Other popular artists are Beatles, Led Zeppelin and Adele" a screenshot of the teletext page exist and can be uploaded, if allowed at Commons and if requested. Music Year-End Report". Archived from the original on 22 September Retrieved 22 September And UK - hypebot". Randy Collects. Fadeyev, V. Lawrence, Harold; "Mercury Living Presence". Compact disc liner notes.
International standard IEC Analogue audio disk records and reproducing equipment. Third edition, International Electrotechnical Commission Broadcast Transcription Discs.
Playback Equalizer Settings for 78 rpm Recordings. Third Edition. The Oxford Companion to Music. Ninth edition, Oxford University Press, Ashgate, Carson, A. Burt, and H. Physical audio recording formats. Music box cylinder or disc 9th century Mechanical cuckoo early 17th century Punched card Music roll Phonautogram Tefiphon early s Teficord early s Tefifon Dictabelt Wire recording Magnetic stripe card Music technology.
Mechanical Electrical Electronic and digital. Digital recording Digital signal processing. Phonograph cylinder Phonograph record LP record production. Music industry. B4 Temptation Dub B5 Titbit II B6 Hot Amsterdam A1 Untitled A2 Untitled A3 Untitled A4 Untitled B1 Untitled B2 Untitled B3 Untitled B4 Untitled More images.
A2 Bondage A3 New York A4 Ko. Ka A5 Mass-Medium A6 Game Over A7 Serenade B1 Necron. B2 Third Generation B3 Shaved Girls B4 Crash In The Sky
If I Dont Get Involved - Grady Gaines & The Texas Upsetters - Full Gain (Vinyl, LP, Album), Beatin A Dead Horse, High Time He Went - Various - Gold Collection - Exclusive Hits - Volume 3 (CD), Love Suspended - John Beltran - Espais (CD, Album), First Love, Turn On To Music, Ten Years Are Gone - John Mayall - Room To Move 1969-1974 (CD), The Wonder Stuff - Its Yer Money Im After Baby (Vinyl), Victims Of Life - The Avett Brothers - True Sadness (CD, Album), Ahoi To The Captain - Various - Soundtrack Gegen Das Vergessen (Vinyl, LP), Kyrie - Wolfgang Amadeus Mozart - Requiem - Messe En Ut Mineur (CD)